MANDYLION
WHITE CROSS
The Image of Edessa is a holy relic with the image of the face of Jesus Christ - the first icon.

- About MANDYLION -
According to Christian tradition, the Image of Edessa was a holy relic consisting of a square or rectangle of cloth upon which a miraculous image of the face of Jesus Christ had been imprinted - the first icon (lit. 'image'). The image is also known as the Mandylion (Greek: μανδύλιον, 'cloth' or 'towel'), in Eastern Orthodoxy, it is also known as an Acheiropoieton (Greek: Εἰκόν' ἀχειροποίητη, lit. 'icon not made by hand').
In the tradition recorded in the early 4th century by Eusebius of Caesarea, King Abgar of Edessa wrote to Jesus, asking him to come cure him of an illness. Abgar received a reply letter from Jesus, declining the invitation, but promising a future visit by one of his disciples. One of the seventy disciples, Thaddeus of Edessa, is said to have come to Edessa, bearing the words of Jesus, by the virtues of which the king was miraculously healed. Eusebius said that he had transcribed and translated the actual letter in the Syriac chancery documents of the king of Edessa, but who makes no mention of an image. The report of an image, which accrued to the legendarium of Abgar, first appears in the Syriac work the Doctrine of Addai: according to it, the messenger, here called Ananias, was also a painter, and he painted the portrait, which was brought back to Edessa and conserved in the royal palace.

Church of St. Bartholomew of the Armenias
This image is kept in the Church of St Bartholomew of The Armenians in Genoa, Italy. In the 14th century it was donated to the doge of Genoa Leonardo Montaldo by the Byzantine Emperor John V Palaeologus.
It has been the subject of a detailed 1969 study by Colette Dufour Bozzo, who dated the outer frame to the late 14th century, giving a terminus ante quem for the inner frame and the image itself. Bozzo found that the image was imprinted on a cloth that had been pasted onto a wooden board.
The similarity of the image with the Veil of Veronica suggests a link between the two traditions.

Mandylion Project
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Mandylion in Armenia
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